He questions Norman, whose nervousness and inconsistency arouse Arbogast's suspicion. Arbogast learns that Marion spent a night at the Bates Motel. A private investigator named Arbogast approaches them, saying that he has been hired to retrieve the money. He denies knowing anything about her disappearance. Marion's sister Lila arrives in Fairvale a week later, tells Sam about the theft, and demands to know her whereabouts. Soon afterward, Norman's anguished voice is heard from the house yelling 'Mother! Oh God, Mother! Blood! Blood!' Norman cleans up the murder scene, puts Marion's body, her belongings and the hidden cash in her car, and sinks it in a swamp near the motel. As Marion showers, a shadowy figure appears, stabs her to death and leaves. Remorseful of her crime, Marion decides to drive back to Phoenix in the morning and return the stolen money hidden in a newspaper. Norman discusses his hobby as a taxidermist, his mother's 'illness' and how people have a 'private trap' they want to escape. Norman returns with a light meal and apologizes for his mother's outbursts. Returning to his house, Norman has an argument with his mother, overheard by Marion, about Marion's presence. Proprietor NormanРІР‚вЂ¦Bates descends from a large house atop a hill overlooking the motel, registers Marion under an assumed name she uses, and invites her to dine with him. Marion stops for the night at the Bates Motel, located off the main highway. Marion returns to work, decides to steal a cash payment of $400,000 entrusted to her for deposit at the bank and, drive to Sam's home in Fairvale, California.Р”В®n route, Marion hurriedly trades her car arousing suspicion from both the car dealer and a CaliforniaРІР‚вЂ¦HighwayРІР‚вЂ¦Patrol officer.

Heche was nominated for WorstРІР‚вЂ¦Actress.Р”Вuring a Friday afternoon tryst in a Phoenix hotel, real-estate secretary MarionРІР‚вЂ¦Crane and her boyfriend Sam Loomis discuss their inability to get married because of Sam's debts. It received three GoldenРІР‚вЂ¦Raspberry nominations and won in the categories of WorstРІР‚вЂ¦Remake and WorstРІР‚вЂ¦Director. The film was both a critical and commercial failure. Murder sequences are also intercut with surreal dream images. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. BernardРІР‚вЂ¦Herrmann's musical score is reused as well, though with a new arrangement by DannyРІР‚вЂ¦Elfman and SteveРІР‚вЂ¦Bartek, recorded in stereo. Both films are adapted from RobertРІР‚вЂ¦Bloch's 1959 novelРІР‚вЂ¦ofРІР‚вЂ¦theРІР‚вЂ¦sameРІР‚вЂ¦name.Р”Р„lthough this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and JosephРІР‚вЂ¦Stefano's script is mostly carried over. It is a modern remake of the 1960РІР‚вЂ¦filmРІР‚вЂ¦ofРІР‚вЂ¦theРІР‚вЂ¦sameРІР‚вЂ¦name directed by AlfredРІР‚вЂ¦Hitchcock, in which an embezzler arrives at an old motel run by an insane killer named Norman Bates. Psycho is a 1998 American horrorРІР‚вЂ¦film produced and directed by GusРІР‚вЂ¦VanРІР‚вЂ¦Sant for UniversalРІР‚вЂ¦Pictures and starring VinceРІР‚вЂ¦Vaughn, JulianneРІР‚вЂ¦Moore, ViggoРІР‚вЂ¦Mortensen, WilliamРІР‚вЂ¦H.РІР‚вЂ¦Macy and AnneРІР‚вЂ¦Heche in leading and supporting roles.

Psycho 1998 film grab